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Everything has also been conceived so that the images are already perfectly vertical aligned. Plus, since both the left and right points of view are captured on the same sensor at the same time, you don’t even have the problem of syncing the timestamps of the two, because they are on the same image, so they are of course taken at the same instant. Since the lenses are both projecting the images on the same sensor, we have not the same color disparity issues we may have while using different sensors. The Canon RF5.2mm F2.8 L Dual Fisheye Lens together with the Canon EOS R5 C camera plan to solve exactly all those problems. The camera with the fisheye lenses in action: you see that every frame is composed of both its left and right eye components The result must be exactly as if the two eyes of a person are seeing that scene, so everything that is not coherent with this scenario must be fixed in post-production, and it is not an easy task. You also ensure that the left and right frames at each instant are perfectly synchronized, so they have been taken at the same timestamp. This means taking care to align the two frames, so that they are in the same vertical position, and correcting the colors of the two to make them identical, because the two different sensors may have slightly different color responses, while for perfect stereoscopy you need the same colors in the two images. Usually, to record a 180 VR video (that is, stereoscopic 180°), you need two cameras (or anyway a camera with two separate sensors for the two lenses) that record the two frames, one for the left and one for the right eye, and then you have to proceed with all the post-processing to create the final 180 VR frame. I wasn’t particularly surprised by this, but Canon’s representatives made me understand its value. This is the back of the objective, with the pins that connect it to the camera The lens separated from the cameraĪfter that, when you turn on the camera, you can see that the two fisheye lenses of the device project what they see directly onto the sensor of the camera: the result is that the 8K image of the sensor is composed of the two 4K distorted frames recorded by the two cameras. DUAL FISHEYE LENS INSTALLYou just install it as all the other objectives of your camera, and you are good to go. It is meant to be plug and play, so you don’t need screws, adaptors, or other complex operations. This kind of camera makes changing the objective an easy task, and removing and adding the George Lens was as easy as slightly rotating the lens system while pulling or pushing it onto the camera. DUAL FISHEYE LENS HOW TOThey were showcasing the “Canon RF5.2mm F2.8 L Dual Fisheye Lens” (I wonder why they haven’t selected an easier name to remember, like “George”… I think “George Lens” is much easier to remember), and since I had read a lot about it on VR magazines, but I never saw it in action, I asked them for a lot of information.įirst of all, I’ve been shown how to set it up: the George Lens was installed on a Canon EOS R5 C camera, which is an 8K camera meant to shoot photos and videos at a professional level. DUAL FISHEYE LENS FOR FREEYou will be able to process still images and certain clip lengths for free in the EOS VR Utility.Hands-On Canon RF5.2mm F2.8 L Dual Fisheye LensĪt the On|Metaverse Summit, I’ve found some Canon representatives at the Pico booth. However, free trials will be available at launch. DUAL FISHEYE LENS PROThe EOS VR Utility and Canon EOS VR Plug-In for Adobe Premiere Pro should be available by late December. The Canon RF 5.2mm f/2.8 L Dual Fisheye lens is due to arrive in December with an estimated retail price of $1,999. An EOS VR Plug-In for Adobe Premiere Pro will further enhance workflow options. Canon EOS VR Utility will allow users to convert clips from a dual fisheye image to equirectangular and make quick edits and exports. DUAL FISHEYE LENS FULLAccomplished by recording left and right fisheye images to a single full-frame image sensor, this design helps to solve common VR challenges of stitching and synching, by outputting one single image file.' Although full details have not yet been revealed, Canon says it is working on two paid subscription-based software solutions to complete the VR post-production process. Canon RF 5.2mm f/2.8 L Dual Fisheye lens on Canon EOS R5 cameraĬanon writes, 'The EOS VR System's convenient workflow is a standout feature. ![]()
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